Digital Art
Call for applications: MFA Art & Technology / Sound Practices at the School of the Art Institute of Chicago
Pixel Pioneers, the horizon that will not hold still
Chronoclasty. A Clandestine (D)rift Log
DEUS EX MACHINA – Deconstructing Digital Divinity
[re]curated x Richard Hamilton: What does it mean to enter an exhibition that no longer exists?
Concatenations, on computation, intrinsic knowledge & grains of sand
Multi-Agent worlding, reimagining narrative beyond systems
Artists as co-shapers of technological futures
DELIRI 2026: When the square becomes a stage (and the body a place of possibility)
‘Not Running’ by Rebecca Salvadori, the beauty of light, sound & existence
Insight: CRUX, intuition behind hi-tek media performance art
Insight: Kick in the Cut Eyes of Broken Blades, how cracks of metal & glass carry vital gestures
Insight: ‘Hollow Bodies’ video installation at Chronic Illness 23
Fierce Festival: celebrating Black, queer & marginalised bodies through contemporary dance & performance
FIBER Festival 2024: On how ‘Outer/Body’ & ‘Neighbouring Frequencies’ highlights the interconnectedness of bodies with ecological, technological systems & sound art
FILIP CUSTIC, reflecting the intersection of capitalism & technology on human existence
Body Sculptures
Sound
Art
FIBER Festival 2026 – The day after: A single drop can change the course of a river
MIRA Digital Arts 2025, experimental visual art & sound: Highlights
CARSTEN NICOLAI, experimentation, technology & dissolution
ANDREW PEKLER, the confluence of nature & digital soundscapes
RAFAEL ANTON IRISARRI, shaping soundscapes of memory, identity & transformation
On how the record label & artistic platform 99CHANTS produce cultural artifacts in the form of images, text & sound
Insight: Fabrizio Vatieri explores the relationships between comfort & the global commodification of life
