Biomedia, News | 26 Nov, 2022 Festival: ‘The Shape of a Circle in the Mind of a Fish’ at the Museum of Natural History, Porto
Digital Culture, News | 25 Nov, 2022 Launch: Serpentine’s Future Art Ecosystems 3: Art x Decentralised Tech
Biomedia, News | 22 Nov, 2022 Insight: ‘Bending the River’ to keep Los Angeles afloat at the Fulcrum Arts festival
Body Sculptures, News, Sound | 18 Nov, 2022 Editor’s pick: KUEENG by Ana Sting & Chloé Caillet, dance as a transforming spiritual practice
Digital Culture, News | 16 Nov, 2022 Insight: ‘Datafixation’ at Ars Electronica 2022, a humanoid beast facing technocapital
Computing Art, News, Sound | 15 Nov, 2022 Events: X100, a special Berlin Atonal’s edition celebrating Iannis Xenakis
Biomedia, Digital Culture, News | 12 Nov, 2022 Insight: ‘Broken Spectre’, Richard Mosse’s poignant depiction of the Amazonian ecological crisis
Computing Art, News, Sound | 9 Nov, 2022 Events: Futur.Shock Strange Attractor 3-Purge at FOLD London
Digital Culture, News, Sound | Video premiere: Missing Ear’s ‘Lost and found’, a rebellious act against information overload
Biomedia, News | 5 Nov, 2022 Insight: Examining the future of plants & humans with “Our Biotech Planet”
Digital Culture, News, Sound | 2 Nov, 2022 Video premiere: Joachim Spieth’s ‘Terrain’ by Stanislav Glazov
Digital Culture, News, Sound | 27 Oct, 2022 Insight: SEMIBREVE Art Programme 2022 brings experimental multimedia artistic gestures to Braga
Digital Culture, News, Sound | 25 Oct, 2022 Event: Rebecca Salvadori – The Sun Has No Shadow, two evenings of film & music
Digital Culture, News | 23 Oct, 2022 Insight: Dotcom Séance, resurrecting ghost companies & reexamining their role in Web3
Computing Art, News | 14 Oct, 2022 Insight: ‘In Our Code’, a collaboration between humans and machines in the language of code
