Editor’s picks: autumnal dates with Sunn O)))
It’s not something that frequent to have one’s ears bleed/blessed by the cavernous drone doom of metal titans Sunn O))) twice, only just a few…
EMPTYSET, from the algorithmic to the architectural—filling the spaces between our ears
Can you automate the production of music? Can something intricate and moving be composed with the help of AI? For many, the almost invisible iterations…
CLOT Magazine recommends: OCTOBER
Frieze London, Regent’s Park London, 3–6 October 2019 The renowned art fair returns for another year in Regent’s Park, bringing together the usual presentations from…
Unsound Krakow 2019: Highlights
In less than two weeks, another edition of Unsound Krakow will be taking place. Solidarity is this year’s theme of the festival that will take…
Computing Art, Interviews, Unsound
EZRA MILLER, re-contextualising experiences in real-time
Born in 1996, Ezra Miller’s design practice has risen into the public eye rapidly. The recipient of an ADC Young Guns prize at just 20…
Digital Culture, News, Series, Sound, Unsound
Performance: Robert Henke’s CBM 8032 AV premiere at Unsound Krakow
Thinking about the appeal of the minimalism of code, when artists began to explore computers as a medium in the 1950s, technology was limited and…
Interviews, Series, Sound, Unsound
FÉLICIA ATKINSON, on the sonic poetics of absence
Pregnancy is an underlying motive in The Flower & The Vessel, Félicia Atkinson´s just-released new album. A theme that has historically been neglected in arts,…
Open Call: Unsound 2019 Discourse Program
Unsound 2019 is taking place between October 6th – 13th and this year’s theme is solidarity. The starting point to explore what solidarity means…
Interviews, Sound, Thinkers, Unsound
DEFORREST BROWN JR, radical practices for ‘rythmanalitical’ speculative theories
DeForrest Brown is a New York based music writer, curator and media theorist. His work blends the production of music with technology and social experience….