Festival: ‘The Shape of a Circle in the Mind of a Fish 4’ by the Serpentine Galleries
A fourth edition in the series The Shape of a Circle in the Mind of a Fish is taking place this weekend between 5-6 December 2020….
Survey: The Serpentine’s Legal Lab is seeking opinion from artists, technologists & scientists
The Serpentine is making a big effort to set proper working frameworks for the art, science and technology disciplines with support from their artistic programmes…
Launch: Serpentine’s ‘Art Ecosystems’ report and Creative AI Lab
The Serpentine is launching two ambitious creative initiatives tomorrow, the Future Art Ecosystems and the Creative AI Lab, emerging as part of the commitment to…
STUDIO FORMAFANTASMA, the importance of environmental awareness translated into design
What is most striking about Studio Formafantasma, is their incredible inclination to wonder at the natural world and it’s biological, chemical, physical processes and –…
Online screening: ‘Quercus’ by Formafantasma at e-flux Video and Film
Andrea Trimarchi and Simone Farresin are behind Formafantasma, an Italian design studio based in Amsterdam. Their work looks at the design’s ecological and political responsibilities…
Biomedia, Digital Culture, News
Exhibition: ‘Cambio’ by Formafantasma at the Serpentine Galleries
Formafantasma returns to the Serpentine Galleries in London with their upcoming exhibition Cambio. Cambio is the third exhibition of design in the Serpentine’s history, following…
Exhibition: ‘Blueprints’ at the Serpentine Galleries London
Cao Fei is a multimedia artist and filmmaker based in Beijing. Her work reflects on the rapid and chaotic changes that are occurring in Chinese…
Exhibition: ‘Catharsis’ by Jakob Kudsk Steensen, Serpentine Galleries
Catharsis, an exhibition by Danish artist Jakob Kudsk Steensen, is open at the Serpentine Galleries, London. It is an immersive digital simulation of a re-imagined…
Exhibition: ‘I Magma’ by Jenna Sutela at Serpentine Galleries
Reshape the relationship between technologies and contemporary society, stimulating the potential for a new collective consciousness: this is the core idea of I Magma, the…
Exhibition: ‘The Deep Listener’ by Jakob Kudsk Steensen
Serpentine Augmented Architecture, opening on July 12th in the Serpentine Galleries, is a first-of-its-kind commission by the Serpentine Galleries in collaboration with Google Arts &…
Presence: curating in the context of contemporary digital technology: Marina Abramovic, by Agata Kik
With the changing nature of curating and the rapid development of contemporary digital technology, the idea of presence in the curatorial field shifts its concerns…
CLOT Magazine recommends: APRIL
BARZAKH by The Waldorf Project, Shredded Wheat factory Welwyn Garden City, 9 April – 12 May 2019 The Waldorf Project have been engineering the most…
AI & A.Life, Digital Culture, News
Exhibition: ‘UUmwelt’ by Pierre Huyghe at the Serpentine Galleries
Pierre Huyghe is a French artist born in 1962 and very well known for creating complex installations and environments in which living and non-living…
CLOT Magazine recommends: OCTOBER
Pierre Huyghe exhibition, Serpentine Gallery London, 3 October 2018 – 10 February 2019 Pierre Huyghe, one of the world’s leading conceptual artists, known for creating complex…
AI & A.Life, Digital Culture, News, Thinkers
Event: Serpentine Galleries’ Work Marathon 2018
Every year since 2000 The Serpentine Galleries with it’s two contemporary art spaces, the Serpentine Gallery and the Serpentine Sackler Gallery, in Hyde Park…
CLOT Magazine recommends: SEPTEMBER
Dawns, Mine, Crystal, Yunchul Kim, Korean Cultural Centre London, 18 September – 3 November 2018 The Korean Cultural Centre, London (KCCUK) presents Dawns, Mine, Crystal, the first UK…
Exhibition: Ian Cheng and Sondra Perry at Serpentine Galleries
This spring at the Serpentine Galleries two groundbreaking exhibitions are taking place: Sondra Perry’s Typhoon coming on, on view until 20 May 2018 and…
Exhibition: ‘Das New Yorker Atelier, Abridged’, Serpentine Galleries
American artist Wade Guyton (b. 1972) instead of a paintbrush uses digital technologies – iPhones, cameras, computers and Epson printers – as tools…