Unsound Krakow 2019: The Day After
Unsound Krakow 2019 closed last 13th October one of their best editions not only for the line-up but also for the theme chosen —Solidarity —….
Unsound Krakow 2019: Highlights
In less than two weeks, another edition of Unsound Krakow will be taking place. Solidarity is this year’s theme of the festival that will take…
Open Call: Unsound 2019 Discourse Program
Unsound 2019 is taking place between October 6th – 13th and this year’s theme is solidarity. The starting point to explore what solidarity means…
Design, Interviews, Sound, Unsound
Insight: ALEKSANDRA GRüNHOLZ, the allure of the dark and the grotesque
When we cannot make sense out of all the information, with which we are bombarded each day. When we cannot use reason to comprehend the…
Unsound Krakow 2018: The Day After
Presence, the state or fact of existing, occurring or being present; a person or thing that exists or is present in…
Unsound Krakow 2018: First announcements
Unsound Krakow festival passes are going on sale tomorrow, 6th June at 4pm CEST, so be quick to grab them, as they usually sell…
Unsound Krakow 2017: The Day After
Systema naturæ per regna tria naturæ, secundum classes, ordines, genera, species, cum characteribus, differentiis, synonymis, locis.* Carl Linnaeus, Systema naturæ (1735) Wolfsbane, Nightshade,…
VISIBLE CLOAKS, transcending culture through sound
In a shaker, place 1 ½ parts of computerised exotica, ½ part of linguistics, 1 part of ethnography and transculturalism and ¼ part of…
Interviews, Series, The CLOTcasts, Unsound
HARM VAN DEN DORPEL, art beyond the internet era
Harm van den Dorpel is a Berlin-based Dutch conceptual artist regarded a key figure in the post-internet art movement. Alongside with other contemporaries, they developed…
Computing Art, Interviews, Sound, Unsound
EWA JUSTKA, enquiries into the materiality of sound and light
With one of the best live shows at the moment, Ewa Justka, a polish electronic and noise artist, is challenging audiences with her the…
Digital Couture, News, Series, Unsound
Unsound Krákow 2017: 1st annoucements
Our friends from Unsound Festival have done it again. Full week and weekend passes for Unsound Kraków 2017 edition, sold out in few minutes…
Audio & Visual, Interviews, Series, Sónar, The CLOTcasts, Unsound
MATMOS, the domesticity of concréte sounds
The American experimental electronic duo Matmos are M.C. Schmidt and Drew Daniel. Both artists are the main core of the outfit but they are…
Audio & Visual, Interviews, Series, Sound, The CLOTcasts, Unsound
ROBERT LIPPOK & LILLEVAN, music from the glaciers
CLOT Magazine got the chance to talk to musician Robert Lippok and video artist and live performer Lillevan during 2016 edition of Unsound Festival: Dislocation…
Audio & Visual, Curators, Interviews, Series, The CLOTcasts, Unsound
KRISTEN GALLERNEAUX, on sonic sounds
Media historian and artist Kristen Gallerneaux is the Curator of Communications and Information Technology at The Henry Ford Museum (Detroit, USA), where she takes…
Audio & Visual, Interviews, Series, The CLOTcasts, Thinkers, Unsound
JOHANNES KLABBERS, on posthumanist therapy
Johannes Klabbers is an Australian writer and posthumanist therapist living and working in The Netherlands. This year, he served as the ‘resident therapist’ at…
Unsound Krakow 2016. The Day After
Dislocation: [noun] Disturbance from a proper, original, or usual place or state —English Oxford Dictionary The first of the three definitions that the English…
Interviews, Series, Sound, Unsound
TOM ELLARD, making music from heterotopic spaces
Tom Ellard is a multi-faceted Australian musician, media artist and researcher. In his own words, he’s ‘made jingles, soundtracks, muzak, hit singles, noise installations,…
Unsound Krakow 2016: Highlights
What happens when you unite an exquisite selection of the most avant-garde audio and visual artists with talks, workshops, films and installations in some…
Interviews, Key Artists, Series, Sound, Unsound
CHRIS WATSON, making audible the inaudible
I came across the work of Chris Watson when first introduced to his glacier recordings (1). I was immediately fascinated. These peculiar sounds had…