Unsound Kraków 2022 – The 20th Edition: Discourse program
Unsound Kraków 2022 takes place from 9th to 16th October. This 20th-anniversary edition is a celebration of Unsound over the years and a reminder of…
Unsound Kraków 2022 — The 20th Edition: Highlights
Unsound Kraków 2022, takes place across eight days from 9th to 16th October. Since the first edition in 2003, Unsound has filled the city of…
Open Call: Unsound 2022 – Discourse program: BUBBLES
Unsound festival has just announced that the theme for Unsound Kraków 2022 – the 20th-anniversary Edition- is Bubbles. Plus a call for entries from artists,…
Computing Art, Digital Culture, Interviews
KRISTA KIM, fluorescently taking back our screens
It’s a gift and a curse – We cling to this phrase to explain away character traits and quirks of personality that manifest in helpfully…
Insight: OLEA, the intangible future of digital art
OLEA is a unique olive oil, fruit of the development between different disciplines and coordinated by artist Solimán López in collaboration with the Twist Bioscience…
Computing Art, Digital Culture, Op & Ed
‘Jonas Lund Land & Social Tokens, a distributed decentralised autonomous artistic practice’ by Charlotte Kent
Ownership of certain kinds of tokens on the Ethereum blockchain, known as “social tokens,” can act as an investment in an artist’s career or help…
Online event: Music Futures & Simulacra: Exploring Without a Map by CO:QUO
CO:QUO (CO-CREATE STATUS-QUO) is a collective of multidisciplinary creatives collaborating internationally to address status-quos that negatively impact society through the intersection of art, music, science,…
AI & A.Life, Interviews, Scout & Trends
TERRA0, enabling the forest to become an autonomous economic agent
“If we continue to restrict ourselves to viewing nature as a domain, as a work tool or material, rather than as a partner, everything is…
Online exhibition: ‘Pieces of Me’, diving into the emerging global NFT marketplace
TRANSFER gallery in partnership with left.gallery – an artist-run gallery producing and selling downloadable objects – present Pieces of Me, an online exhibition posed as…
Computing Art, Digital Culture, Op & Ed
‘Digital art galleries leading the conversation around blockchain art & digital art’ by Charlotte Kent
Auction houses certainly provide a service to the art industry but their secondary market foundation makes them perhaps not the ideal place to cultivate emerging…
Computing Art, Digital Culture, Op & Ed
‘John Gerrard, Blockchain and the Environment’ by Charlotte Kent
I’m sitting at the computer during the Spring Equinox on a glorious day when any number of people I know are gardening, walking through parks,…
Computing Art, Digital Culture, Op & Ed
‘Talking about Art and the Blockchain’ by Charlotte Kent
Questions of high and low art, aesthetics, and curation arise when talking about blockchain and art because many in the art world have not been…
Insight: ‘Portraits of a Mind’, an enticing tribute to Bitcoin’s history by Robert Alice
Myths have existed for as long as humanity has. We all love a great story, even better if it poses a great mystery. Portraits of…
AI & A.Life, Digital Culture, News
Exhibition: ‘Algotaylorism’ at La Kunsthalle
La Kunsthalle in Mulhouse’s centre for contemporary art is devoted to artistic creation and research. Every year La Kunsthalle takes on a visiting exhibition curator…
Tate Exchange: ‘Higher Resolution’ by Hyphen-Labs
Tate Exchange, founded in 2016, is a platform at Tate Modern and Tate Liverpool that explores how art makes a difference in society in response…
CARLO ZANNI, on how the art world doesn’t know how to sell videos
Imagine a world where works of art do not become the exclusive property of the highest bidder, where the assignation of the term art does…
AI & A.Life, Digital Culture, News
Exhibition: ‘Entangled Realities: Living With AI’ at HeK in Basel
HeK —House of Electronic Arts Basel— is an interdisciplinary Swiss art institution dedicated to digital culture, new technologies, and the new art forms of the…