Computing Art, Contributors, Op & Ed
In a well-known scene from It’s never sunny in Philadelphia (2016), Danny Devito plays Ongo Gablogian, an “aht” collector that sashays around a gallery verbally…
AI & A.Life, Biomedia, Op & Ed
As the grand finale of the exhibition Under the Viral Shadow at Art Laboratory Berlin, the conference held on October 9 brought together the artists…
AI & A.Life, Biomedia, Op & Ed
It is clearer now more than ever that the language of the virus has spread its infection throughout the body of our culture. From the…
Computing Art, Digital Culture, News
As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art and advanced technologies, Serpentine…
Computing Art, Digital Culture, News
Sturm&Drang, a new exhibition at Osservatorio Fondazione Prada, explores Computer-generated imagery (CGI) practices, experiences, and environments. CGI is the creation of still or animated visual…
AI & A.Life, Biomedia, Op & Ed
Whether it be in flocks of birds, schoolings of fish or even herds of mammals, individuals who come together seem to find power through acts…
In 2018, the artist Sasha R. Gregor set off on the world’s longest railway route aboard the “Rossiya” train. This vast journey along the Trans-Siberian…
The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow cylindrical form that moves…
Immaterial/Re-material: A Brief History of Computing Art is a wide-ranging overview of the evolution of computing art from the 1960s to the present. The exhibition…
On the occasion of Berlin Science Week 2020 and presented by Light Art Space (LAS), artist and researcher Libby Heaney will give an introduction on…
Through video installations, three-dimensional animations, mirror tiles, multimedia interactive installations, electronic games and other forms, AI: Love and Artificial Intelligence focuses on “social intelligence” and…
AI & A.Life, Contributors, Op & Ed
Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialed around, learning how the phone…
AI & A.Life, Contributors, Op & Ed
“The creativity of culture has no outcome, no conclusion. It does not result in art works, artifacts, products. Creativity is a continuity that engenders itself…
Gretchen Andrew is a self-proclaimed “Internet Imperialist” and “Search Engine Artist”. With the premise that the internet can’t parse desire as a starting point, she…
Coming from a background in Industrial Design, the California based duo Hank Beyer and Alex Sizemore are working at the borders of Art and Design,…
Nye Thompson is a London-based artist, whose technology driven creativity stems from her expertise of 20+ years in the commercial software industry. Having belonged to…
AI & A.Life, Digital Culture, News
PACE Gallery has launched an online series that presents one-on-one conversations between artists, curators, writers, and leading thinkers of today, broadcast weekly on their Instagram…
AI & A.Life, Digital Culture, News
Due to the COVID-19 coronavirus outbreak social and economic routines have been interrupted, including cultural programming. In response to this current uncertainty and a time…
AI & A.Life, Digital Culture, News
Harm van den Dorpel is a Berlin-based Dutch conceptual artist regarded a key figure in the post-internet art movement. Alongside with other contemporaries, they developed a…
AI & A.Life, Interviews, STATE Studio
The Distinction Machine in its most basic form is an experimentation on the language of machines. Not necessarily the language of code, which we use…