GRETCHEN ANDREW, speaking the language of the Internet
Gretchen Andrew is a self-proclaimed “Internet Imperialist” and “Search Engine Artist”. With the premise that the internet can’t parse desire as a starting point, she…
Insight: Beyer and Sizemore’s speculative material research ‘For the Rest of Us’
Coming from a background in Industrial Design, the California based duo Hank Beyer and Alex Sizemore are working at the borders of Art and Design,…
NYE THOMPSON, affectivity of the artificially intelligent entity
Nye Thompson is a London-based artist, whose technology driven creativity stems from her expertise of 20+ years in the commercial software industry. Having belonged to…
AI & A.Life, Digital Culture, News
Virtual Talk: Trevor Paglen and Kate Crawford at PACE online
PACE Gallery has launched an online series that presents one-on-one conversations between artists, curators, writers, and leading thinkers of today, broadcast weekly on their Instagram…
AI & A.Life, Digital Culture, News
Online exhibition: ‘We=Link: Ten Easy Pieces’ at CAC
Due to the COVID-19 coronavirus outbreak social and economic routines have been interrupted, including cultural programming. In response to this current uncertainty and a time…
AI & A.Life, Digital Culture, News
Editor’s Pick: ‘Mutant Garden’ by Harm Van den Dorpel
Harm van den Dorpel is a Berlin-based Dutch conceptual artist regarded a key figure in the post-internet art movement. Alongside with other contemporaries, they developed a…
AI & A.Life, Interviews, STATE Studio
Kim Albrecht for ‘Dynamic Nodes’, January 23 at STATE Studio Berlin
The Distinction Machine in its most basic form is an experimentation on the language of machines. Not necessarily the language of code, which we use…
Digital Culture, News, Series, Sound, Unsound
Performance: Robert Henke’s CBM 8032 AV premiere at Unsound Krakow
Thinking about the appeal of the minimalism of code, when artists began to explore computers as a medium in the 1950s, technology was limited and…
AI & A.Life, Computing Art, Interviews
CASEY REAS, Creative Coding for Art and Design
Casey Reas writes software to explore emergent systems and his work spans installation, works on paper, and live performance. From works on paper to urban-scale…
Installation: Mutable VR by Chris Speed
Chris Speed is an audio-visual artist from London who creates visual abstractions across moving images. His work is a cross-section of 3d, audio-visual design and…
Digital Culture, Interviews, Sónar
LIBBY HEANEY, when quantum computing is more than a tool
Quantum physics is a little bit weird, a little bit spooky. In the 20th century, it fundamentally challenged our aeons-evolved intuitions about the physical world…
Architectures, Design, Op & Ed
IDZ arhitectura and the architectural artefacts in digital technology by Adriana Ciotau
Dana Anton and Ionut Anton (IDZ arhitectura) have always considered that it is not enough to have beautiful images as a result of a computation…
KIM ALBRECHT, contesting computing
The Distinction Machine in its most basic form is an experimentation on the language of machines. Not necessarily the language of code, which we use…
Installation: BUGA Pavilion for Bundesgartenschau 2019
The Institute for Computational Design and Construction (ICD) and the Institute for Building Structures and Structural Design (ITKE) at the University of Stuttgart have created…
CARLO ZANNI, on how the art world doesn’t know how to sell videos
Imagine a world where works of art do not become the exclusive property of the highest bidder, where the assignation of the term art does…
Computing Art, Interviews, Scout & Trends
SHOHEI FUJIMOTO, From Code to Nature
Focused rays of lights reflect off in wavelike form- it’s repetitive nature puts the audience at ease and in awe, much like the ebb…
Computing Art, Digital Culture, News
Exhibition: ‘Eternal Return’, ScanLAB Projects and Lundahl & Seitl
Déjà vu is a French term to describe the feeling that one has lived through the present situation before. This connects with the concept…
Design, H0 Institute, Interviews, Scout & Trends
MAËL HÉNAFF, on how technology will make us the humans we always wanted to be
Technology is viewed in different manners. Some see it as positive. Most see it as negative. Some are neutral. However, there are some who take…
Exhibition: ‘Claude Heiland-Allen’ at Chalton Gallery London
Claude Heiland-Allen exhibition consists of diverse works such as digital prints, Pure-data sound works, and different audio-visual, multimedia, and interactive installations. The artist works using…
AI & A.Life, Computing Art, Interviews
FREDERIK DE WILDE, revealing the inaudible, intangible, and invisible
If I lose the signal on my phone, how will I know where I am? If I can’t see something microscopic, how can I know…