Insight: Artificial Renaissance, artistic human connection via an artificial bond
Today it is possible to dream and imagine in pixels, compose them in harmony through codes and algorithms, and finally download them to the physical…
Computing Art, Contributors, Digital Culture, Op & Ed
‘Libby Heaney’s art embodies the uncertainty of a post-quantum future’ by Fiona Glen
A cluster of white geometric pillars that resembles a technological acropolis, or the idealised space ship interiors in 20th century sci-fi – sterile but emanating…
Video Premiere: Bienoise’s OOO, the act of listening beyond meanings
In the last years, the experimental music and sound art scenes have may suffered an excess of conceptualisation and the need for an overstating visual…
Computing Art, Curators, Interviews
LÍVIA NOLASCO-RÓZSÁS, beyond matter & the museums of the future
Lívia Nolasco-Rózsás is a curator and researcher from Hungary with work developed at international contemporary and media art institutions. Her interest in the constantly changing…
Computing Art, Contributors, Op & Ed
‘Post-Genius Memes: Copyright, Consent, Distributed Authorship and NFTs’ by Ameera Kawash
In a well-known scene from It’s never sunny in Philadelphia (2016), Danny Devito plays Ongo Gablogian, an “aht” collector that sashays around a gallery verbally…
AI & A.Life, Art Laboratory Berlin, Biomedia, Op & Ed
‘Under the Viral Shadow, thoughts from a transdisciplinary conference’ by Leoni Fischer
As the grand finale of the exhibition Under the Viral Shadow at Art Laboratory Berlin, the conference held on October 9 brought together the artists…
AI & A.Life, Art Laboratory Berlin, Biomedia, Op & Ed
‘Under the viral shadow. Networks in the Age of Technoscience and Infection’ by Lyndsey Walsh
It is clearer now more than ever that the language of the virus has spread its infection throughout the body of our culture. From the…
Computing Art, Digital Culture, News
Workshop: ‘Skills for Future Art Ecosystems’, learn how to make art in the metaverse
As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art and advanced technologies, Serpentine…
Computing Art, Digital Culture, News
Exhibition: ‘Sturm&Drang’ at Osservatorio Fondazione Prada
Sturm&Drang, a new exhibition at Osservatorio Fondazione Prada, explores Computer-generated imagery (CGI) practices, experiences, and environments. CGI is the creation of still or animated visual…
AI & A.Life, Art Laboratory Berlin, Biomedia, Op & Ed
‘Art Laboratory Berlin’s “Swarms, Robots and Postnature” and the Power of the Masses’ by Lyndsey Walsh
Whether it be in flocks of birds, schoolings of fish or even herds of mammals, individuals who come together seem to find power through acts…
Insight: Sasha R. Gregor’s ‘ThermoSibirsk’, a thermographic series on global warming
In 2018, the artist Sasha R. Gregor set off on the world’s longest railway route aboard the “Rossiya” train. This vast journey along the Trans-Siberian…
‘How motion graphic designers bridge the gap between what is real and what is fiction’ by Maren Häußermann
The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow cylindrical form that moves…
Exhibition: ‘Immaterial/Re-material: A Brief History of Computing Art’ at UCCA Beijing
Immaterial/Re-material: A Brief History of Computing Art is a wide-ranging overview of the evolution of computing art from the 1960s to the present. The exhibition…
Online talk: Quantum Computing: Arts and Entanglement by Libby Heaney
On the occasion of Berlin Science Week 2020 and presented by Light Art Space (LAS), artist and researcher Libby Heaney will give an introduction on…
Exhibition: ‘AI: Love and Artificial Intelligence’ at Hyundai Motorstudio Beijing
Through video installations, three-dimensional animations, mirror tiles, multimedia interactive installations, electronic games and other forms, AI: Love and Artificial Intelligence focuses on “social intelligence” and…
AI & A.Life, Contributors, Op & Ed
‘Phreaking Hotline: Aliza Shvarts’ by Charlotte Kent
Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialed around, learning how the phone…
AI & A.Life, Contributors, Op & Ed
‘AI Am I? Yeah, We Are. Alexander Reben and the Machine’ by Charlotte Kent
“The creativity of culture has no outcome, no conclusion. It does not result in art works, artifacts, products. Creativity is a continuity that engenders itself…
GRETCHEN ANDREW, speaking the language of the Internet
Gretchen Andrew is a self-proclaimed “Internet Imperialist” and “Search Engine Artist”. With the premise that the internet can’t parse desire as a starting point, she…
Insight: Beyer and Sizemore’s speculative material research ‘For the Rest of Us’
Coming from a background in Industrial Design, the California based duo Hank Beyer and Alex Sizemore are working at the borders of Art and Design,…
NYE THOMPSON, affectivity of the artificially intelligent entity
Nye Thompson is a London-based artist, whose technology driven creativity stems from her expertise of 20+ years in the commercial software industry. Having belonged to…