Insight: “Still a bird” by Rebecca Lenaerts, a ritual of becoming
Stirred by an intense and inner drive towards a rituality that may have partially lost its permanence in present-day society but retains an ingrained need…
Insight: Output Field’s Debut Showcase ‘Skin Garden’, virtual musings in flesh
Bodies are complex. From the moment of birth, we become immediately acquainted with our corporeal selves through the very moment of sensation. To be conscious…
‘Éva Mayer: Terra Incognita, Ani Molnár Gallery, Budapest’ by Anne Murray
Éva Mayer’s exhibition at Ani Molnár Gallery in Budapest, curated by Lili Boros, delves into the limbic space of fertility, hope, and loss and its…
Body Sculptures, Digital Culture, News
Event: ‘TRANSGENESIS’ an abstract machine at The Orange Garden London
TRANSGENESIS is a new series of experiments by Agnes? Curated by Arturo Passacantando, Tommaso de Benedictis, and Charlie Mills is on view at The Orange…
‘Bottom of the Well’, traumatic video-narratives of Chronic Illness 13 by Piotr Bockowski
Fungal activity has been complicit in the undercurrents of Victorian sewage that swallowed the source of Hackney Brook, one of the many forgotten rivers of…
Computing Art, Interviews, Robotics & Kinetics
FILIPA VALENTE, mechanical interactions amid bodies and spaces
Formally trained and practising as an architect, Filipa Valente develops her cross-disciplinary practice between experiential design and architecture. Her interactive and immersive installations seduce the…
Online series: ‘Hyper Functional, Ultra Healthy’ at Somerset House
Confronting all of the changes forced upon us during a global pandemic has made it increasingly harder to prioritise mental health. If we are constantly…
‘Zsolt Asztalos, Memory: an Act or Construction?’, by Anne Murray
Memories are constructions. We build them out of fragmented details. These details can be found in different parts of the brain; in accordance with our…
Computing Art, Interviews, Sound
EWA & JACEK DOROSZENKO, capturing our consciousness with sound and computer-generated image
Ewa Doroszenko’s practice enmeshes material and virtual realities. She works analog and digital. Her creative process spans from prints and video works to printed objects…
Insight: Brad Nath, swaying along with the sinister whispers of the rubble
Chalky rustling fills the room. The dark stage reveals an assemblage of thirteen cored building bricks stacked on top and beside each other like a…
Body Sculptures, Interviews, Scout & Trends
KAI LANDRE, a cyborg musician interpreting the sounds of outer space
Kai Landre is a musician who can hear the universe. Not metaphorically, but rather literally. He has a 6th sense, which he chose and designed…
Exhibition: ‘Scalable Skeletal Escalator’ by Isabel Lewis at Kunsthalle Zürich
Isabel Lewis is a Berlin-based artist whose career began in the context of contemporary dance but in recent years her works have broken with the…
Exhibition: Ndayé Kouagou’s ‘Will you feel comfortable in my corner?’ at ARIEL in Denmark
ARIEL is an exhibition platform centered on new ramifications of feminism in the aesthetic field. that seeks to expand and nuance the framework of understanding…
Biomedia, Contributors, Op & Ed
‘Marianna Simnett: Contagion and Monstrous Politics’ by Eleanor Wakeford
You and I, who are looking ahead to the future monster. We talk about synthetic reproduction. You say that it shouldn’t be called reproduction but…
Biomedia, Contributors, Op & Ed
‘Marianna Simnett: Contagion and the Utopian Body’ by Eleanor Wakeford
Defying fantasies of control, corroding internal integrity, and ignoring the borders that define and defend identity, contagion is considered a threat to individual, national and…
Biomedia, Body Sculptures, News
Live streaming: ‘Humane Methods’ by Marco Donnarumma & Margherita Pevere
Performative and media artist director and composer Marco Donnarumma has been since the early 2000s exploring contemporary performance, new media art, and computer music. In…
Online screening: Marianna Simnett’s ‘The Bird Game’
One year ago, on April 10, 2019, CLOT Magazine published an interview with performative artist and film director Marianna Simnett. In her performative practice, Simnett’s…
Symposium: ‘Choreographic Devices’ at ICA London
What kind of choreographic arrangements can we compose to put diverse thinkers and practitioners in relation to one another? What kinds of time spaces can…
MARGHERITA PEVERE, the leaky character of the performative biomatter
Art practices that employ biological cells, tissues and organisms, habitually called “bioart”, are artistically most significant not because of their “usage” of this kinds of…
Hyper Functional, Ultra Healthy: wellness as the optimisation of mental and physical wellbeing, by Laura Netz
Somerset House presented Hyper Functional, Ultra Healthy, a programme of six newly commissioned artworks related to wellness as the optimisation of mental and physical wellbeing….
- 1
- 2