Insight: ‘SHE KEEPS ME DAMN ALIVE’ by Danielle Brathwaite-Shirley at arebyte Gallery London
– Exhibition extended until 5 March 2022 – Can you protect black trans people with a gun? With this challenging question visitors of arebyte gallery’s…
Residency: Paraspaces — arebyte X Goldsmiths University
arebyte Net Works invites artists, curators and international galleries working in digital arts to develop projects to be presented on AOS. Artists, Independent curators and…
Computing Art, Digital Culture, News
Workshop: ‘Skills for Future Art Ecosystems’, learn how to make art in the metaverse
As part of Future Art Ecosystems: Art x Metaverse’s exploration into virtual experiences and the infrastructure necessary to support evolving art and advanced technologies, Serpentine…
Insight: Ben Grosser’s ‘Software for Less’, a space to reveal what the digital could become
arebyte Gallery (London) are showing Software for Less, the first UK’s solo show by Ben Grosser, the US-based artist/scientist/coder, who started as a music composer…
Exhibition: ‘The Digital Weird’, an online scavenger hunt
arebyte, the London-based contemporary platform dedicated to New Media and Performance Art launched The Digital Weird last June, a group exhibition exploring the realm of “weirding” in digital art trends. The exhibition…
Curators, Digital Culture, Interviews
arebyte Gallery, the avant-garde of the contemporary digital renaissance
arebyte is a London-based art organisation, paving a pioneering path through digital art programming, marking new points, peaks and perspectives at innovative intersections of art…
Exhibition: Alan Warburton’s ‘RGBFAQ’, spatial video essay at arebyte Gallery London
arebyte’s 2020 programme takes the notion of Systems as its point of departure. Continuing from the 2019 theme, Home, Systems invites artists to respond to…
Exhibition: ‘Trickle Down, A New Vertical Sovereignty’ at arebyte Gallery
Trickle Down, A New Vertical Sovereignty, a new body of work by UK based artist Helen Knowles, opens at arebyte Gallery this evening. What are…
Biomedia, Digital Culture, Interviews
Insight: Into Ami Clarke’s exhibition ‘The Underlying’
The work in The Underlying utilises live sentiment analysis of online news production and social media, relating to BPA’s (Bisphenol A*) to consider how surveillance,…
Computing Art, Digital Culture, News
Exhibition: ‘RE-FIGURE-GROUND’ at arebyte Gallery
arebyte Gallery are managing to keep us excited about their new exhibitions. Their opening show for 2019 explores the idea of simulation, fake identities and realities,…
CLOT Magazine recommends: JANUARY
Carte Blanche to Tomas Saraceno: ON AIR, Palais de Tokyo Paris, until 6 January 2019 Last chance to see a new exhibition by Tomás Saraceno -this time…
CLOT Magazine recommends: JULY
Curating Digital Art, Town Hall Hotel London, 10 July 2018 Hans Ulrich Obrist, Jenna Sutela and Ben Vickers presenting an evening of inquiry into…