Biomedia, Design, News | 11 Mar, 2022 Open call: The BAD Award 2022, exploring intersections among art, design and the (life)sciences
Digital Culture, News, Sound | 10 Mar, 2022 Festival: Rewire 2022 – Art & Discourse Programme Highlights
Digital Culture, News, Sound | 4 Mar, 2022 Video premiere: Kai Landre’s ‘Lights On Me’ by Nil Fernandez
Digital Culture, News | Festival: MUTEKES, stimulating reflection on electronic music and the digital
Digital Culture, News, Sound | 2 Mar, 2022 Video: Cheb Terro vs DJ Die Soon’s ‘Underplanet’ by Utku Önal
Digital Culture, News | 1 Mar, 2022 Insight: UBERMORGEN & Nye Thompson’s UNINVITED, the alluring and pernicious potential of horror movies
Digital Culture, News, Sound | 28 Feb, 2022 Festival & video premiere: Cadie Desbiens-Desmeules & Michael Gary Dean’s ‘Previz’ for Sonica 2022
Digital Culture, News | 26 Feb, 2022 Exhibition: Libby Heaney’s ‘Ent-’, quantum computing as medium and subject matter
News, Scout & Trends, Sound | 21 Feb, 2022 Label feature: CONCENTRIC, unleashing ambient sounds from identity systematization
Biomedia, News | 18 Feb, 2022 Exhibition: ‘Sunlight, Soil & Shit (De)Cycle’ (3SDC), challenging the notion of food production
Digital Culture, News | 17 Feb, 2022 Exhibition: ‘Sentient Windows’, Carson Teal’s newest body of ethereal digital work
Design, News | 15 Feb, 2022 Insight: Objects of Desire, new hybrid forms that blend human and technology and the twilight area that exists in-between
Digital Culture, News | 11 Feb, 2022 Insight: ‘SHE KEEPS ME DAMN ALIVE’ by Danielle Brathwaite-Shirley at arebyte Gallery London
News, Sound | 9 Feb, 2022 Performance: ‘ICE WIND EXHALE’, an evening with New Rituals at IKLECTIK, London
