Digital Culture, News | 20 Mar, 2022 Festival: Submerge 2022, innovative performance, music and creative technology
Biomedia, News | 18 Mar, 2022 Exhibition: ‘Living with Scents’ at MCD (San Francisco), exploring culturalisation of all things olfactory
Body Sculptures, News | 16 Mar, 2022 Exhibition: ‘Useless Bodies?’ by Elmgreen & Dragset’s at Fondazione Prada
Computing Art, Design, News | 15 Mar, 2022 Insight: #MeToo Anti-Network, analysing the unobserved side of social media data
Biomedia, Design, News | 13 Mar, 2022 Workshop: The Story-Telling Eel-Orgy: Writing as an Aquatic Intercourse by Noam Youngrak Son
Biomedia, Design, News | 11 Mar, 2022 Open call: The BAD Award 2022, exploring intersections among art, design and the (life)sciences
Digital Culture, News, Sound | 10 Mar, 2022 Festival: Rewire 2022 – Art & Discourse Programme Highlights
Digital Culture, News, Sound | 4 Mar, 2022 Video premiere: Kai Landre’s ‘Lights On Me’ by Nil Fernandez
Digital Culture, News | Festival: MUTEKES, stimulating reflection on electronic music and the digital
Digital Culture, News, Sound | 2 Mar, 2022 Video: Cheb Terro vs DJ Die Soon’s ‘Underplanet’ by Utku Önal
Digital Culture, News | 1 Mar, 2022 Insight: UBERMORGEN & Nye Thompson’s UNINVITED, the alluring and pernicious potential of horror movies
Digital Culture, News, Sound | 28 Feb, 2022 Festival & video premiere: Cadie Desbiens-Desmeules & Michael Gary Dean’s ‘Previz’ for Sonica 2022
Digital Culture, News | 26 Feb, 2022 Exhibition: Libby Heaney’s ‘Ent-’, quantum computing as medium and subject matter
News, Scout & Trends, Sound | 21 Feb, 2022 Label feature: CONCENTRIC, unleashing ambient sounds from identity systematization
