Computing Art, CTM, Series, Sound
CTM 2017: The Day After
Fear:[noun] an unpleasant emotion or thought that you have when you are frightened or worried by something dangerous, painful, or bad that is happening…
AI & A.Life, Interviews, Sound
EDUARDO MIRANDA, deciphering the possibilities of machine-made creativity
What do you imagine it is to be a composer working at the intersection of music, computing and biology? Professor Eduardo R. Miranda’s work takes…
ROBERTINA ŠEBJANIČ, reflecting on the cohabitation with other species
Ljubljana-based intermedia artist Robertina Šebjanič might be one of the most interdisciplinary artists of our times. She is co-founder and active member of Theremidi…
Unsound Krakow 2016. The Day After
Dislocation: [noun] Disturbance from a proper, original, or usual place or state —English Oxford Dictionary The first of the three definitions that the English…
Interviews, Series, Sound, Unsound
TOM ELLARD, making music from heterotopic spaces
Tom Ellard is a multi-faceted Australian musician, media artist and researcher. In his own words, he’s ‘made jingles, soundtracks, muzak, hit singles, noise installations,…
Unsound Krakow 2016: Highlights
What happens when you unite an exquisite selection of the most avant-garde audio and visual artists with talks, workshops, films and installations in some…
YOLANDE HARRIS, techno-intuition and sonic consciousness
Yolande Harris, is a composer, visual artist and academic, who aims to reinterpret from a post-humanist perspective the techno-ecological spaces we are meant to…
Interviews, Series, Sónar, Sound
MARTIN MESSIER, electroacoustic music by objects and bodies
As electronic technology impact on music becomes more prominent, we wonder if we are aware where sounds derive from; especially those from the natural…
JANA WINDEREN, haunting a palette of deep sea sounds
Seas and oceans, and the strange creatures that they sustain life in have fascinated human beings for thousand of years. And some people have…
Computing Art, Interviews, Sound
ROBERT HENKE, digging deep into the limits of sound and space
Thinking about who is at the forefront of exploring the nature and potentiality of sound and sensory spaces and Robert Henke is one of…
Interviews, Key Artists, Series, Sound, Unsound
CHRIS WATSON, making audible the inaudible
I came across the work of Chris Watson when first introduced to his glacier recordings (1). I was immediately fascinated. These peculiar sounds had…
Sónar 2016: Highlights
A music festival at the forefront of the most advanced electronic music and cutting-edge digital and new media technology for more than 20 years: what…
Interviews, Robotics & Kinetics, Sound
COD.ACT, when sound and movement become mechanical poetry
In an age when the virtual world is becoming so prominent in our lives, especially in western cultures, where for example, less and less…
Biomedia, CTM, Interviews, Series, Sound
GUY BEN-ARY, feeling like becoming a Rock and Roll star
Words by Meritxell Rosell (Twitter @dancingmoog) What if one day you woke up feeling like becoming a Rock and Roll star? Guy Ben-Ary,…
YUICHI ITO, colliding neurobiology, sound art and kinetic sculpture
Dr. Yuichi Ito is a japanese sound and media artist, theorist and researcher. CLOT Magazine came across his work through an exciting collaboration project…
Interviews, Scout & Trends, Sound
YOSHIMASA KATO, colliding neurobiology, sound art and kinetic sculpture
Dr. Yoshimasa Kato is a japanese artist, whose work spans from sound and media art to kinetic light sculpture. CLOT Magazine came across his…
KIMA, blending geometric patterns, scientific research and music
Fractal art is a scientific and algorithmic form of art which lies in complex mathematical and physics concepts. It is composed of geometric patterns…
LISA PARK, using brain-computer technology
The brain, which is the most complex and enigmatic organ in a vertebrate body, has the ability to send and receive signals…