Editor’s picks: support artists on Bandcamp Friday
At CLOT Magazine we feature lots of artists and their works dealing with speculative futures regarding technology, nature, capital and health but the current COV19…
Insight: ‘KIMA: Noise’, participatory Art and Sound Ecologies
KIMA was founded in 2010 as a collaborative project, to enable a collaborative approach in creating performances and installations between artists, scientists, researchers, on the…
‘Eufonia – supersonic scanning through sound, art and science’ by Agata Kik
Collapsing the boundaries between science and art, making tremble the walls of Berlin’s Acud Macht Neu, Eufonia took place between 1-3 November 2019. The festival…
DASHA RUSH, transcending mind and space
In Tarkovsky’s masterpiece Stalker, the stalker, a sort of a smuggler visitor guide to the Zone [an exclusion area in which the normal laws of…
Sound seminar: ‘The listening eye’ by Jon Wozencroft at Iklectik London
Jon Wozencroft, one of the founders of legendary experimental imprint Touch, developed his sound seminars in the late 1980s as a means of highlighting the…
Festival: Rewire 2020 in The Hague, Netherlands
Rewire 2020, a festival for adventurous music return to The Hague from 3 to 5 April at venues across the city in the Netherlands. Rewire…
RROSE, a sinuous sound veil between the avant-garde and the darkness
Death as a creative driving force; with such a bold statement experimental artist and musician Rrose closes this interview and sets forth a most conspicuous…
Exhibition: Sound Art? at Fundació Joan Miró, Barcelona
The Fundació Joan Miró presents Sound Art?, a question in the form of an exhibition which addresses the presence of sound in art and explains…
Jacobo García for ‘Dynamic Nodes’, January 23 at STATE Studio Berlin
For our 8th Mixtape, CLOT Magazine’s editor Jacobo García has prepared a selection of some of the most relevant Spanish ambient and experimental sound artists…
Digital Culture, Op & Ed, Sound
L.E.V. Matadero Madrid, by Jacobo García
In 2007, a modest collective named “Colectivo Datatrón” decided what it seemed impossible, launch an avant-garde electronic music festival in Gijón. A city with a…
Audio & Visual, Sound, The CLOTMix
CLOTMix: Unseen Worlds presents MICHAEL VINCENT WALLER
Our 11th Mixtape, the first of the new year, brings Avant-garde composer Michael Vincent Waller – with a specially crafted mix, and as Waller himself…
MAX COOPER, the aesthetic meaning of physical laws
Studying sciences at school, it seemed like nature was something that could be mastered through knowledge. We could calculate the weight of a star, reverse…
HAROON MIRZA, playing with waveforms, light, and our conscious relationship to existence
Artist Haroon Mirza’s interest includes physics, shamanism, artificial intelligence and astrology. There are many things in between such as music and sound theory, art and…
AI & A.Life, Interviews, Sound
SOLAR X, from electro incursions to AI research
For anyone that follows the daily press, it’s easy to fall for the piling news that Russia is consolidating as a global antagonist of democracy….
Interviews, Scout & Trends, Sound
KEPLA, meditations on the malleability of material experience
My introduction to Kepla’s work came through DeForrest Brown Jr. An artist I’ve recently written about for CLOT Magazine and an article that might make…
Unsound Krakow 2019: The Day After
Unsound Krakow 2019 closed last 13th October one of their best editions not only for the line-up but also for the theme chosen —Solidarity —….
NIKITA ZABELIN, art and music through the shape of electricity
Nikita Zabelin, a Russian techno luminaire, is the founder of the label and artist collective Resonance Moscow that connects artists, audiences, promoters, labels and clubs….
Contributors, Digital Culture, Op & Ed, Sound
‘Noise and Wellness: Madeiradig’s Sonic Statement’ by Daniel Mackenzie
The unassuming island of Madeira is known for many things – Madeira wine, its round the year spring climate and forest walks. The slow pace…
Computing Art, Interviews, Sound
SAM ROLFES, L’Enfant terrible of digital arts
American artist Sam Rolfes plays musical chairs, switching between the roles of an experimental electronic musician, 3-D animator, VR performer, graphic designer, director and also…
‘Heavy Rotation: The Cyclical World of Sculpture’ by Daniel Mackenzie
Following earlier developments in the Middle East, the Copper Age brought into being such developments as the potter’s wheel and the first wheeled vehicles, kicking…