AI & A.Life, Contributors, Op & Ed
Moving Towards Augmented Art, by Rola Daniels
Augmented Reality (AR) is one of several technologies emerging for widespread use; culturally popularised to undoubtedly soon be woven into the fabric of everyday…
Redefining Failure in a Technologically Aided Era, by Jung In Jung
[Rebecca Lieberman, Mnemograph, 2016, Artificial Retirement Flux Factory, NYC. Photo credit: Jung In Jung] Herbert Marcuse wrote that the “technological rationalisation” of society and culture rejects…
Digital and Material Worlds: an artistic view
‘Computing is not about computers any more. It is about living. Being digital is not just being a geek or Internet surfer…
On the question of Interspecies Creativity
In February 2017, CLOT Magazine in collaboration with LASER Leonardo, organised a roundtable discussion on ‘Interspecies Creativity’. The idea came out after our talk…
AI & A.Life, Computing Art, Op & Ed
ICCMR and Peninsula Arts Contemporary Music Festival Voice 2.0
Computing technology is nowadays present in all aspects of music. For some, like Professor Eduardo R. Miranda, understanding the relationship between musical creativity and computing…
Technology-based art as a trigger for political and social change, by Eran Tsafrir
Politics is poisoned. Propaganda, lies, manipulations, alt-facts, fake news, selective hacks and leaks are the hallmarks of the politics of our age. Appeals to emotion…
No Such Thing As Gravity at FACT Liverpool, by Ana Sancho
No Such Thing As Gravity is the forthcoming exhibition of FACT Liverpool. Curated by Rob La Frenais, it will explore the boundaries between art…
In sci-art, art should not merely be a servant of science, by David Harris
In a recent editorial in Leonardo journal, Assoc. Ed. Jack Ox stated about art-science that “well-designed presentations must be articulated in a clear and cogent…
Thinking Across Hemispheres, by Amy Holt Cline
Being human is both complicated and wonderful for all the hidden and obvious reasons one can imagine. Being a creator and thinking creatively could be…
ASVOFF, Digital Culture, Op & Ed, Series
Wearable Technologies in Fashion and ASVOFF9
CLOT Magazine is one of the media communicators for this year’s edition of A Shaded View On Fashion Film, ASVOFF9. Founded by Diane Pernet…
The need for more pi-shaped science artists, by David Harris
How much science and how much art do you need to know to be an effective science artist? There are certainly different schools of thought…
Human Bio Art: Object-Subject, by Begonya Enguix
The human body is not only the material that sustains our existence: the body is not only an object, it is also a subject. Our…
When Science Meets Art, by Amy Holt Cline
As we all know, inspiration for a new idea, a painting or a design can come from anywhere. Ideas can strike in an instant or…