Computing Art, Digital Culture, Op & Ed
Auction houses certainly provide a service to the art industry but their secondary market foundation makes them perhaps not the ideal place to cultivate emerging…
Fungal activity has been complicit in the undercurrents of Victorian sewage that swallowed the source of Hackney Brook, one of the many forgotten rivers of…
Computing Art, Digital Culture, Op & Ed
I’m sitting at the computer during the Spring Equinox on a glorious day when any number of people I know are gardening, walking through parks,…
Computing Art, Digital Culture, Op & Ed
Questions of high and low art, aesthetics, and curation arise when talking about blockchain and art because many in the art world have not been…
We retake our interview with writer and artist Holly Childs and artist Gediminas Žygus (formerly known as J.G. Biberkopf) from where we left in Part…
In the heavily automated, networked “internet of things” future we’re unevenly rattling towards, there’ll be an increasing amount of discussion about interaction and interfaces. Actor–network…
Contributors, Digital Culture, Op & Ed
The pseudonymous digital art provocateur Kid Xanthrax exists at the periphery of cyberculture, invoking irreverence for commercial, fine art “practice” through grotesque, “dank” meme aesthetics…
Contributors, Op & Ed, Robotics & Kinetics
For the new media artist collective BREAKFAST, the past three years have been an exciting sequence of projects blossoming worldwide. The collective boasts an extensive…
This research is a collaboration between artists from the USA, Ukraine, South Korea, England, and Germany. The show includes the work of BIPOC, non-binary and…
The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow cylindrical form that moves…
Memories are constructions. We build them out of fragmented details. These details can be found in different parts of the brain; in accordance with our…
We have certainly heard it many times, from our yoga teachers, our holistic doctors, and various unofficial and scientifically tenuous channels. But does music really…
In the dawn of the past winter solstice, as London was just collapsing into the third lockdown, I decided to indulge in my weekly routine…
To drive is not just to be at the wheel of a car, helm of a ship, conductor- or directorship, but also the inner force…
If one thing has been informing new horizons for art, in recent years, it is the consolidation of novel narratives and the era of disinformation…
“Architecture in general is frozen music” – Friedrich von Schelling The Theophany sound installation by artist project Disinformation is a work of electromagnetic sound art,…
The 2020 edition of BFI’s London Film Festival presented the institution with two challenges: how to have a festival in the age of social distancing,…
AI & A.Life, Contributors, Op & Ed
Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialed around, learning how the phone…
Some argue mail art waned in the 1990s when the internet provided an alternate collaborative space, suggesting it is a kind of proto-net art [1]….
Digital Culture, Op & Ed, Sound
Matadero in Madrid was a former slaughterhouse and now one of the most important cultural spaces of the city was once again where the L.E.V….