Open Cell, Reinventing the lab in Shepherd’s Bush
Open Cell is a new collaborative space for bio designers in Shepherd’s Bush London. Aiming to support the London ecosystem of designers and scientists…
Body Sculptures, Contributors, Interviews
COLLEEN THOMAS-YOUNG, the art of learning and creating through dance
Dance is experiential. So many complex psychological processes occur when you move your body and the moving body is so extremely dynamic; I wonder…
Experimenta Makes Sense, by ika Posamari
Sometimes words are noise. Sometimes, people are noise. Sometimes, feelings are noise. Narrow your focus, concentrate. Feel the noise. Filter the noise. Turn the…
Computing Art, Contributors, Interviews
KATY CONNOR, the body, vertigo and the scientific sublime
“I’m always trying to challenge the fixed point of view, its security and the political, military and techno-scientific systems that uphold the privilege of…
AI & A.Life, Contributors, Op & Ed
Moving Towards Augmented Art, by Rola Daniels
Augmented Reality (AR) is one of several technologies emerging for widespread use; culturally popularised to undoubtedly soon be woven into the fabric of everyday…
Redefining Failure in a Technologically Aided Era, by Jung In Jung
[Rebecca Lieberman, Mnemograph, 2016, Artificial Retirement Flux Factory, NYC. Photo credit: Jung In Jung] Herbert Marcuse wrote that the “technological rationalisation” of society and culture rejects…
Technology-based art as a trigger for political and social change, by Eran Tsafrir
Politics is poisoned. Propaganda, lies, manipulations, alt-facts, fake news, selective hacks and leaks are the hallmarks of the politics of our age. Appeals to emotion…
No Such Thing As Gravity at FACT Liverpool, by Ana Sancho
No Such Thing As Gravity is the forthcoming exhibition of FACT Liverpool. Curated by Rob La Frenais, it will explore the boundaries between art…
In sci-art, art should not merely be a servant of science, by David Harris
In a recent editorial in Leonardo journal, Assoc. Ed. Jack Ox stated about art-science that “well-designed presentations must be articulated in a clear and cogent…
Thinking Across Hemispheres, by Amy Holt Cline
Being human is both complicated and wonderful for all the hidden and obvious reasons one can imagine. Being a creator and thinking creatively could be…
The need for more pi-shaped science artists, by David Harris
How much science and how much art do you need to know to be an effective science artist? There are certainly different schools of thought…
Human Bio Art: Object-Subject, by Begonya Enguix
The human body is not only the material that sustains our existence: the body is not only an object, it is also a subject. Our…
When Science Meets Art, by Amy Holt Cline
As we all know, inspiration for a new idea, a painting or a design can come from anywhere. Ideas can strike in an instant or…