In these turbulent times, Amy Sands’ paper and transparent acrylic works, along with her Bobbin Lace Fence Project – Projection Mapping, bring a sense of…
Éva Mayer’s exhibition at Ani Molnár Gallery in Budapest, curated by Lili Boros, delves into the limbic space of fertility, hope, and loss and its…
In the heavily automated, networked “internet of things” future we’re unevenly rattling towards, there’ll be an increasing amount of discussion about interaction and interfaces. Actor–network…
Contributors, Digital Culture, Op & Ed
The pseudonymous digital art provocateur Kid Xanthrax exists at the periphery of cyberculture, invoking irreverence for commercial, fine art “practice” through grotesque, “dank” meme aesthetics…
Contributors, Op & Ed, Robotics & Kinetics
For the new media artist collective BREAKFAST, the past three years have been an exciting sequence of projects blossoming worldwide. The collective boasts an extensive…
This research is a collaboration between artists from the USA, Ukraine, South Korea, England, and Germany. The show includes the work of BIPOC, non-binary and…
The pendulums swing back and forth in an endless movement. All three pass in perfect adjustment through holes in a hollow cylindrical form that moves…
Memories are constructions. We build them out of fragmented details. These details can be found in different parts of the brain; in accordance with our…
We have certainly heard it many times, from our yoga teachers, our holistic doctors, and various unofficial and scientifically tenuous channels. But does music really…
In the dawn of the past winter solstice, as London was just collapsing into the third lockdown, I decided to indulge in my weekly routine…
To drive is not just to be at the wheel of a car, helm of a ship, conductor- or directorship, but also the inner force…
“Architecture in general is frozen music” – Friedrich von Schelling The Theophany sound installation by artist project Disinformation is a work of electromagnetic sound art,…
The 2020 edition of BFI’s London Film Festival presented the institution with two challenges: how to have a festival in the age of social distancing,…
AI & A.Life, Contributors, Op & Ed
Phreaking started in the 1950s and was slang for exploring and messing with the telecommunication system. Some curious users dialed around, learning how the phone…
Some argue mail art waned in the 1990s when the internet provided an alternate collaborative space, suggesting it is a kind of proto-net art [1]….
AI & A.Life, Contributors, Op & Ed
“The creativity of culture has no outcome, no conclusion. It does not result in art works, artifacts, products. Creativity is a continuity that engenders itself…
“The effects could well be called unprecedented, magnificent, beautiful, stupendous, and terrifying. No man-made phenomenon of such tremendous power had ever occurred before. The lighting…
I walked through a painting studio to get into my VR set up and attend the (re)opening of XR artist Carla Gannis’s [1] new show…
Email exhibition is the transcoding this moment calls for. How could the email, in all its mundane glory, not become an exhibition space? Consider it…
Architectures, Contributors, Op & Ed
Today’s architecture is significantly different compared to previous styles mainly because the challenges the planet faces have finally gotten some of the attention they deserved….