MARGHERITA PEVERE, the leaky character of the performative biomatter
Art practices that employ biological cells, tissues and organisms, habitually called “bioart”, are artistically most significant not because of their “usage” of this kinds of…
Insight: ART IN FLUX by Aphra Shemza, encouraging sustainability in artistic practice
Within the current art realm, technology (frequently coupled with science) is oftentimes employed for its spectacular properties, fashionable aspects or general edginess. The bet seems…
Biomedia, Computing Art, Interviews
HELEEN BLANKEN, and the aestheticization of nature
Nature and culture were for centuries regarded as opposites and held as separate spheres. Within the last century, this view slowly shattered and shifted to…
Biofabricate, Biomedia, Op & Ed
Maurizio Montalti and MOGU, bringing the biotechnological revolution, by Živa Brglez
Transdisciplinary, research, creativity, collaboration, bio-… there are just some of the keywords that pop-up very often, maybe too often, when we are talking about contemporary…
Body Sculptures, Interviews, OTHERWISE, Scout & Trends
Insight: ‘Speculative practices of body mutations’
H0 institute for Metamorphosis has just organised the first edition of OTHERWISE, 3-day post-Anthropocene-themed multisensorial and experimental festival-as-research, which took place in Zurich. Among festival’s…
PAZ TORNERO, thinking through juxtapositions
Since roughly the middle of the 20th century, the concept of creativity has been popularly viewed as constitutive part of both art and science. Inasmuch…