‘Emily Young, interrogating when a human addresses a piece of stone’ by Anne Murray
What happens when a human addresses a piece of stone? An essential question in Emily Young’s ongoing research as an artist. With stone as her…
‘Diving into how Mónika Zsikla envisioned XY_now, Q_now at Q Contemporary’ by Anne Murray
It’s a curious time now to open up and close down in many ways. Winter is coming, the clocks have been set back an hour,…
‘Gusztáv Hámos & Katja Pratschke, explorations of consciousness & its intersection with cinema’ by Anne Murray
The video work Seil (Rope, 27’30“, 2016) [1] grabs my attention from the back of the gallery as I enter. I am drawn towards the…
‘Amy Sands’ “Lace Reimagined”, how to create lace patterns from digitised images’ by Anne Murray
In these turbulent times, Amy Sands’ paper and transparent acrylic works, along with her Bobbin Lace Fence Project – Projection Mapping, bring a sense of…
‘Éva Mayer: Terra Incognita, Ani Molnár Gallery, Budapest’ by Anne Murray
Éva Mayer’s exhibition at Ani Molnár Gallery in Budapest, curated by Lili Boros, delves into the limbic space of fertility, hope, and loss and its…
‘Zsolt Asztalos, Memory: an Act or Construction?’, by Anne Murray
Memories are constructions. We build them out of fragmented details. These details can be found in different parts of the brain; in accordance with our…