Technology Tag

Greg Fox

Posted by CLOT Magazine in AI/A.Life, Sound Art

  Words by Meritxell Rosell (Twitter @dancingmoog)   There is a certain type of drummer who has never seen eye to eye with technology. Rhythm and drum beats relate to something primal, even mystical, rooted in the very essence of humanity but since the advent of commercially…

Norimichi Hirakawa

Posted by CLOT Magazine in Computing Art, Digital Culture, Scout & Trends

Words by Patricia Bondesson Kavanagh Looking at the artwork datum from 2017 by Japanese media artist Norimichi Hirakawa, the viewer is presented with an audiovisual installation consisting of a dazzling array of pixels. Viewed in a darkened room, what appears on the projected screen teeters…

Redefining Failure in a Technologically Aided Era

Posted by CLOT Magazine in Biomedia, Computing Art, Contributors, Robotics / Kinetics, Sound Art

(Rebecca Lieberman, Mnemograph, 2016, Artificial Retirement Flux Factory, NYC. Photo credit: Jung In Jung) Words by  Jung In Jung       Herbert Marcuse wrote that the “technological rationalisation” of society and culture rejects ideals and sublimation. However, art is “rather irrational and not subjected to scientific,…

Beau Wanzer

Posted by CLOT Magazine in Digital Culture, Scout & Trends, Sound Art

  Words by Meritxell Rosell (Twitter @dancingmoog)   It is not easy to find artists, especially musicians, with a scientific background and even less frequent, that they are trained as molecular biologists. However, this is the case of Beau Wanzer, a producer based in Chicago and a…

Charissa N. Terranova

Posted by CLOT Magazine in Curators, Digital Culture, Thinkers

  Words by Patricia Bondesson Kavanagh   Dr. Charissa N. Terranova is a U.S. based writer and educator currently an Associate Professor of Aesthetic Studies at the Edith O’Donnell Institute of Art History at the University of Texas, Dallas. Throughout her career – from being…